Contents: Introduction: hearing voices -- Sounding voices: modeling
voice and the period ear -- Haunting legacies: the castrato in the
nineteenth century -- Meyerbeer in Italy: the crusader, the castrato,
and the disguised second woman -- Interlude: queens, hybridity, and
the diva -- Taming women's voices: from hero to pageboy -- Women's
voices in motion: voices behind the romantic heroine -- Coda: looking
ahead to risorgimento heroism
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