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The "weak" subject
The "weak" subject: on modernity, eros, and women's playwriting
Serena Anderlini-D'Onofrio
Publisher: Madison, NJ : Fairleigh Dickinson University Press ; c1997.
ISBN: 0838637302   DDC: 809.20082   LCC: PN1650   Edition: (alk. paper)

Book Data

Library: University of Arizona
Last Loaded: 06/17/2007
MARC Timestamp: 02/07/1998
Control Number Org.: DLC
Control Number:

MARC Record

Download ASCII MARC | Download Binary MARC

000  02557cam  2200421 a 4500
003  DLC
005  19980207134047.1
008  970417s1997    nju      b    001 0 eng  
010      $a97013826
020      $a0838637302 (alk. paper)
040      $aDLC$cDLC$dDLC$dOrLoB-B
049      $aAZUA
050  00  $aPN1650.W65$bA53 1998
100  1   $aAnderlini-D'Onofrio, Serena,$d1954-
245  15  $aThe "weak" subject :$bon modernity, eros, and
         women's playwriting /$cSerena Anderlini-D'Onofrio.
260      $aMadison, NJ :$bFairleigh Dickinson University
         Press ;$aLondon ;$aCranbury, NJ :$bAssociated University
         Presses,$cc1997.
300      $a352 p. ;$c24 cm.
505  0   $aPt. 1. Theoria -- Introduction: Realism,
         Phallocentrism, Eros, and Labial Mimesis. 1. Aristotle,
         Oedipus, and Phallic Mimesis. 2. Szondi: Modern Drama and
         Mimesis. 3. The "Weak" Subject. 4. Toward a Theory of
         Feminist Realism -- Pt. 2. Her/"Story" -- Introduction:
         Gender, Subjectivity, and Citizenship. 5. From Female Lead
         to Writer. 6. Canonic Dramatic Realism. 7. Race, Gender, and
         Homosociality in the Progressive Era. 8. Extended,
         "Intentional," and Nuclear Families. 9. The Figure of Labial
         Eros -- Pt. 3. Gender and Genre -- Introduction: The Plays
         of Lillian Hellman. 10. The Figure of Two-in-One at the
         Center of the Dramatic Structure. 11. The Counterrevolution.
         12. "Toys" and Providers. 13. Keeping Labial Eros in Sight
         -- Pt. 4. Desire and Murder -- Introduction: Dealing with
         the "Absurd" 14. Adapting the Convention of the Absurd. 15.
         The Labial Duo in Postcolonial Europe. 16. Homosocial
         Narratives: Women's Reality and Viewpoint. 17. To "Kill Thee
         and Love Thee After": The Advertisement. 18. Ginzburg and
         Italian Feminism.
504      $aIncludes bibliographical references (p. 325-340)
         and index.
650   0  $aDrama$y20th century$xHistory and criticism.
650   0  $aDrama$xWomen authors$xHistory and criticism.
650   0  $aWomen in literature.
650   0  $aMimesis in literature.
650   0  $aLesbianism in literature.
998      $a.b38309191$bmn$c-
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994      $amn
998      $a.b38309191$bmn$c-
902      $a980309
999      $b1$c980220$dm$ea$f-$g4
994      $amn
901      $aR3023539
909  14  $aThe "weak" subject :$bon modernity, eros, and
         women's playwriting /$cSerena Anderlini-D'Onofrio
904  10  $aUnited States$bFairleigh Dickinson U
         Pr$bAssociated Univ Presses$c1998
902      $a980207AB0701
980      $a020698$b4850$e3928$f0068568V$g1$h2
981      $aBNA$bMAIN$cPROCE

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