Includes bibliographical references (p. 325-340) and index.
Pt. 1. Theoria -- Introduction: Realism, Phallocentrism, Eros, and
Labial Mimesis. 1. Aristotle, Oedipus, and Phallic Mimesis. 2.
Szondi: Modern Drama and Mimesis. 3. The "Weak" Subject. 4. Toward a
Theory of Feminist Realism -- Pt. 2. Her/"Story" -- Introduction:
Gender, Subjectivity, and Citizenship. 5. From Female Lead to Writer.
6. Canonic Dramatic Realism. 7. Race, Gender, and Homosociality in
the Progressive Era. 8. Extended, "Intentional," and Nuclear
Families. 9. The Figure of Labial Eros -- Pt. 3. Gender and Genre --
Introduction: The Plays of Lillian Hellman. 10. The Figure of
Two-in-One at the Center of the Dramatic Structure. 11. The
Counterrevolution. 12. "Toys" and Providers. 13. Keeping Labial Eros
in Sight -- Pt. 4. Desire and Murder -- Introduction: Dealing with
the "Absurd" 14. Adapting the Convention of the Absurd. 15. The
Labial Duo in Postcolonial Europe. 16. Homosocial Narratives: Women's
Reality and Viewpoint. 17. To "Kill Thee and Love Thee After": The
Advertisement. 18. Ginzburg and Italian Feminism.
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