000 02357cam 22004694a 4500
001 ocm65400542
003 OCoLC
005 20070523000000.0
008 060329s2006 ncua bq 001 0 eng
010 $a 2006010758
020 $a0786425776 (softcover : alk. paper)
020 $a9780786425778 (softcover : alk. paper)
029 1 $aIG#$b0786425776
029 1 $aYDXCP$b2271245
035 $a(OCoLC)65400542
040 $aDLC$cDLC$dBAKER$dC#P$dIG#$dCRH$dYDXCP$dBTCTA
042 $apcc
043 $an-us---
050 00 $aPN1995.9.P57$bL68 2006
082 00 $a791.43/6556$222
100 1 $aLott, M. Ray,$d1960-
245 10 $aPolice on screen :$bHollywood cops, detectives,
marshals and rangers /$cM. Ray Lott.
260 $aJefferson, N.C. :$bMcFarland & Co.,$cc2006.
300 $avii, 214 p. :$bill. ;$c26 cm.
520 $a"This comprehensive examination provides a
critical-historical analysis of law enforcement in American
cinema. From High Noon to The Empire Strikes Back, it
examines the police in their many incarnations with emphasis
on the ways in which lawmen are portrayed and how this
portrayal changes over time"--Provided by publisher.
504 $aIncludes filmography: p. 203-209.
504 $aIncludes bibliographical references (p. 211-212)
and index.
505 0 $aLaw Enforcement in Cinema -- Easy Streets -- The
New Deal Hero -- Cold Warriors -- Sci-Fi Cops -- The
Professional -- Wanted: Dead or Alive -- Film Noir, Feminism
and Private Heat -- Workin' for the Railroad -- Vigilantes
with a Badge -- Bad Apples -- Keystone -- The O.K. Corral --
Gunsmoke -- One Riot - One Ranger! -- Walkin' the Beat ...
Cruising the Street... -- End of the Trail.
650 0 $aPolice films$zUnited States$xHistory and
criticism.
650 0 $aDetective and mystery films$zUnited
States$xHistory and criticism.
650 0 $aWestern films$zUnited States$xHistory and
criticism.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/
ecip0611/2006010758.html
994 $a92$bTJC
049 $aTJCC
980 $a2007-05-22$b40.05$e32.84$f10923997
981 $b90023200
951 $alu;ssb;
952 $aBYRD / BLALOCK ; 3200; CEN
960 $o1$q05-14-07$s39.95$tCEN$u90023200$y001$zUSD
961 $fIAL$hC2#VL525538 $iVL525538
596 $a1
926 $aCENTRAL$bSTACKS$cPN1995.9 .P57 L68 2006$dBOOK$f1
