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Opera and politics
Opera and politics: from Monteverdi to Henze
John Bokina
Publisher: New Haven [Conn.] : Yale University Press, c1997.
ISBN: 0300069359   DDC: 782.109   LCC: ML1700   Edition: (cloth)

Book Data

Library: Radford University
Last Loaded: 12/12/2006
MARC Timestamp: 01/20/1998
Control Number Org.: OCoLC
Control Number: 36130797

MARC Record

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000  01216pam  2200229 a 4500
001  36130797
003  OCoLC
005  19980120162648.0
008  961212s1997    ctu      b    001 0 eng  
010      $a96053455 /MN
020      $a0300069359 (cloth : alk. paper)
040      $aDLC$cDLC$dYDX$dCSJ$dVRA
049      $aVRAM
082  00  $a782.1/09$221
090      $aML1700$b.B74 1997
100  1   $aBokina, John.
245  10  $aOpera and politics :$bfrom Monteverdi to Henze
         /$cJohn Bokina.
260      $aNew Haven, Conn. :$bYale University
         Press,$cc1997.
300      $axiv, 240 p. ;$c22 cm.
504      $aIncludes bibliographical references (p. 209-228)
         and index.
505  0   $aThe prince as deity, beast, and tyrant:
         Monteverdi's Orfeo, Ulisse, and Poppea -- The dialectic of
         operatic civilization: Mozart's Don Giovanni -- Opera and
         revolutionary virtue: Beethoven's Fidelio -- The utopian
         vision of romantic anticapitalism: Wagner's Parsifal -- The
         politics of psychological interiorization: Strauss's Elektra
         and Schoenberg's Erwartung -- The aesthtic politics of the
         German artist-opera: Pfitzner's Palestrina, Hindemith's
         Mathis, and Schoenberg's Moses -- Eros and revolt: Henze's
         Bassarids.
650   0  $aOpera$xPolitical aspects.

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