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Opera and politics
Opera and politics: from Monteverdi to Henze
John Bokina
Publisher: New Haven [Conn.] : Yale University Press, c1997.
ISBN: 0300069359   DDC: 782.109   LCC: ML1700   Edition: (cloth)

Book Data

Library: Indiana State University Consortium
Last Loaded: 07/01/2007
MARC Timestamp: Unknown
Control Number Org.:
Control Number: 517896

MARC Record

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000  01240mam  2200241 a 4500
001  517896
008  961212s1997    ctu      b    001 0 eng  
010      $a   96053455 /MN
020      $a0300069359 (cloth : alk. paper)
035      $aocm36130797
035      $9ADA1687IS
040      $aDLC$cDLC$dYDX$dCSJ
049      $aISUM
050  00  $aML1700$b.B74 1997
082  00  $a782.1/09$221
100  1   $aBokina, John.
245  10  $aOpera and politics :$bfrom Monteverdi to Henze
         /$cJohn Bokina.
260      $aNew Haven, Conn. :$bYale University
         Press,$cc1997.
300      $axiv, 240 p. ;$c22 cm.
504      $aIncludes bibliographical references (p. 209-228)
         and index.
505  0   $aThe prince as deity, beast, and tyrant:
         Monteverdi's Orfeo, Ulisse, and Poppea -- The dialectic of
         operatic civilization: Mozart's Don Giovanni -- Opera and
         revolutionary virtue: Beethoven's Fidelio -- The utopian
         vision of romantic anticapitalism: Wagner's Parsifal -- The
         politics of psychological interiorization: Strauss's Elektra
         and Schoenberg's Erwartung -- The aesthtic politics of the
         German artist-opera: Pfitzner's Palestrina, Hindemith's
         Mathis, and Schoenberg's Moses -- Eros and revolt: Henze's
         Bassarids.
650   0  $aOpera$xPolitical aspects.
948      $ac:cj

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