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Modernism from right to left
Modernism from right to left: Wallace Stevens, the thirties & literary radicalism
Alan Filreis
Publisher: Cambridge ; Cambridge University Press, 1994.
ISBN: 0521453844   LCC: PS3537  

Book Data

Library: Oregon State University
Last Loaded: 08/01/2004
MARC Timestamp: Unknown
Control Number Org.: OR
Control Number: 28887946

MARC Record

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000  02574cam  22003378a 4500
001  28887946
003  OR
008  941109s1994    enka     b    001 0 eng  
010      $a93033404
020      $a0521453844
035      $a10891962
040      $aDLC$cDLC$dNGU$dOrLoB-B
043      $an-us---
049      $aOREU$lbna
050      $aPS3537.T4753$bZ635 1994
050  00  $aPS3537.T4753$bZ635 1994
082  00  $a811/.52$220
100  1   $aFilreis, Alan,$d1956-
245  10  $aModernism from right to left :$bWallace Stevens,
         the thirties & literary radicalism /$cAlan Filreis.
260      $aCambridge ;$aNew York :$bCambridge University
         Press,$c1994.
263      $a9407.
300      $axiv, 376 p. :$bill. ;$c24 cm.
440   0  $aCambridge studies in American literature and
         culture ;$v79.
504      $aIncludes bibliographical references (p. 291-365)
         and index.
520      $aPart biography and part literary history, this
         book is about the experience of the American modernist poet
         Wallace Stevens in the 1930s. Stevens is generally thought
         to have antagonized, even enraged, the young literary
         radicals of the period; his long poem, "Owl's Clover," has
         been generally understood as a negative, even bitter
         response to leftist aesthetics. Using the archives of many
         little-known political poets, Alan Filreis offers a detailed
         description of various literary-political battles, in which
         the very texture of the positions taken up in the movement
         between left and right becomes available to us in the
         language of the participants. Filreis demonstrates that
         radicals knew and appreciated modernism more than has been
         recognized, and that Stevens's poetry - as well as that of
         other then-eminent modernists - was significantly influenced
         by poets and critics on the Left. Modernism from Right to
         Left shows that the interactions between eminent modernists
         - Stevens, Marianne Moore, William Carlos Williams - and
         upstart radicals - Stanley Burnshaw, T.C. Wilson, Ruth
         Lechlitner, Kenneth Fearing, Muriel Rukeyser, Willard Maas,
         and others - were far more dynamic than has been
         acknowledged during and beyond the eras of anticommunism.
         This book is a contribution to the cultural history of the
         American 1930s as well as a novel approach to an oft-studied
         figure.
600  10  $aStevens, Wallace,$d1879-1955$xPolitical and
         social views.
650   0  $aAmerican poetry$y20th century$xHistory and
         criticism.
650   0  $aPolitical poetry, American$xHistory and
         criticism.
650   0  $aModernism (Literature)$zUnited States.
650   0  $aRadicalism in literature.
907      $b18208307

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