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Lyric generations
Lyric generations: poetry and the novel in the long eighteenth century
G. Gabrielle Starr
Publisher: Baltimore : Johns Hopkins University Press, c2004.
ISBN: 0801873797   DDC: 820.9005   LCC: PR851   Edition: (acid-free paper)

Book Data

Library: State Library of Victoria
Last Loaded: 06/24/2005
MARC Timestamp: 11/15/2004
Control Number Org.:
Control Number: 1167294

MARC Record

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000  02285cam  22003258a 4500
001  1167294
005  20041115094921.0
008  030324s2003    mdu      b    001 0 eng  
010      $a  2003006816
020      $a0801873797 (alk. paper)
020      $a0801873797 (acid-free paper)
035      $a(CaOOAMICUS)000024528618
035      $a1167294
040      $aDLC$beng$cDLC$dDLC$dOrLoB-B$dVSL
043      $ae-uk---
050  00  $aPR851$b.S63 2003
082  00  $a820.9/005$221
100  1   $aStarr, Gabrielle,$d1974-
245  10  $aLyric generations :$bpoetry and the novel in the
         long eighteenth century /$cGabrielle Starr.
260      $aBaltimore :$bJohns Hopkins University
         Press,$cc2003.
300      $ax, 298 p. ;$c24 cm.
504      $aIncludes bibliographical references and index.
505  0   $a1. Clarissa and the Lyric -- 2. Modes of
         Absorption: Lyric and Letter in Behn, Haywood, and Pope --
         3. Lyric Tensions: Sympathy, Displacement, and Self into the
         Midcentury -- 4. Rhetorical Realisms: Chaismus, Convention,
         and Lyric -- 5. The Limits of Lyric and the Space of the
         Novel -- 6. The Novel and the New Lyricism.
520  1   $a"In Lyric Generations, G. Gabrielle Starr rejects
         the usual genealogy of lyric poetry in which Romantic poets
         are thought to have built solely and directly upon the works
         of Chaucer, Spenser, Shakespeare, and Milton. She argues
         instead the novelists such as Richardson, Haywood, Behn, and
         others, while drawing upon earlier lyric conventions,
         ushered in a new language of self-expression and community
         which profoundly affected the aesthetic goals of lyric
         poets. Examining the works of Cowper, Smith, Wordsworth,
         Coleridge, and Keats in light of their competitive dialogue
         with the novel, Starr advances a literary history that
         considers formal characteristics as products of historical
         change. In a world increasingly defined by prose, poets
         adapted the new forms, characters, and moral themes of the
         novel in order to reinvigorate poetic practice."--BOOK
         JACKET.
541      $cBenson bequest.
650   0  $aEnglish fiction$y18th century$xHistory and
         criticism.
650   0  $aEnglish poetry$y18th century$xHistory and
         criticism.
650   0  $aLiterary form$xHistory$y18th century.
650   0  $aLyric poetry$xHistory and criticism.
984      $aVSL$cheld

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