000 01424nam 2200349 a 4500
001 41658
005 19940824000000.f
008 940506s1994 nju eng
010 $a 92055090
019 $a10180763
020 $a0838635245 (alk. paper)
035 $9255435
050 14 $aPR2981$b.A28 1994
082 0 $a822.3/3
245 10 $aActing funny :$bcomic theory and practice in
Shakespeare's plays /$cedited by Frances Teague
260 $aRutherford :$bFairleigh Dickinson University
Press ;$aLondon ;$aCranbury, NJ :$bAssociated University
Presses$cc1994
300 $a190 p.
504 $aIncludes bibliographical references (p. 180-188)
600 10 $aShakespeare, William,$d1564-1616$xComedies
650 00 $aComic, The, in literature
650 00 $aComedy
700 1 $aTeague, Frances N.
990 11 $tOtherllo and new comedy
990 11 $tAll's well that well as noncomic comedy
990 11 $tThe tempest, comedy, and the space of the other
990 11 $tAudience preparation and comedies of shakespeare
990 11 $tHistoricizing comic theory and practice in a
midsummer night's dream
990 11 $tComic ethinic slander in the Gallia wars
990 11 $tShakespearean comic character: ethos and
epideictic in cymbeline
990 11 $tFalstaff
990 11 $tShakespeare's treatment of comic sentiment
(sentiment) (hasya Rasa) Indian perspective
990 11 $t"Shakespeare" in the classic dective story
