Book Data

MARC Record

000  01799cam  2200469 a 4500
001  12465811    
005  20020919083339.0
008  010711s2002    mdua     b    001 0 eng  
010      $a  2001041922
020      $a0810840987 (alk. paper)
035      $a(Sirsi) l2001041922
040      $aDLC$cDLC$dDLC$dOrLoB-B
042      $apcc
043      $an-cn---
050  00  $aPN1993.5.C2$bA77 2002
082  00  $a791.43/0971$221
100  1   $aAlemany-Galway, Mary,$d1944-
245  12  $aA postmodern cinema :$bthe voice of the other in
         Canadian film /$cMary Alemany-Galway.
260      $aLanham, Md. :$bScarecrow Press,$c2002.
300      $axvii, 261 p. :$bill. ;$c23 cm.
504      $aIncludes bibliographical references (p. 235-250)
         and index.
650   0  $aMotion pictures$zCanada$xHistory.
650   0  $aMotion pictures$xPhilosophy.
650   0  $aPostmodernism.
970  01  $tAcknowledgments
970  01  $tIntroduction
970  11  $l1$tToward a Postmodern Film Theory$p1
970  11  $l2$tThe Importance of Eisenstein's Theories to
         Postmodernism$p25
970  11  $l3$tBazin: Phenomenology and Postmodernism$p47
970  11  $l4$tMetz: Structuralist Film Theory in the Light
         of Poststructuralism$p61
970  11  $l5$tThe Turning Point to Postmodernism: The New
         Novel and Last Year at Marienbad$p81
970  11  $l6$tCanadian Film History and Candian Identity:
         Realism, Modernism, and Postmodernism$p101
970  11  $l7$tJesus of Montreal$p119
970  11  $l8$tI've Heard the Mermaids Singing$p141
970  11  $l9$tFamily Viewing$p165
970  11  $l10$tLife Classes$p191
970  11  $l11$tConclusion$p219
970  01  $tBibliography$p235
970  01  $tIndex$p251
970  01  $tAbout the Author$p261
596      $a1
871      $aQEII$bCHECKEDOUT$cPN 1993.5 C2 A77
         2002$dBOOK$e14/3/2006$f1