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Notes

Includes bibliographical references (p. [337]-356) and indexes. Figures -- Introduction -- Pt. 1. The composition of the book. 1. The gallery of portraits re-created -- Liu Yuan's cover leaf -- Prefatory autographs -- The preface writers license the pictorial book -- The list of contents -- Lingyan Ge, the historical site -- 2. Composing the vassal's figure -- Unordinary images -- Physiognomic fantasies -- Costumes in disarray -- Under the guise of bandits -- 3. The act of turning the leaf -- Structures of the book -- Re-reading Du Fu -- The damask at leaf's edge -- Pt. II. The publication of the book. 4. Painter, publisher, reader-viewer : whose gallery? -- The "social drama" of the Ming-Qing transition / Liu Yuan and Tong Pengnian -- A model for community : echoing voices among the preface writers -- Climbing Yingzhou : Wu Weiye's response -- 5. Vexations of passage -- Variant endings -- Maxims, furtively impressed -- In the hands of all the masters -- From manuscript to printed book --- Appendix. Liu Yuan's Lingyan ge with annotated translations -- Reference matter -- Notes -- Works cited -- Character list -- Index.

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